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	<title>Comments on: Go Ahead &#8211; Break My Rules &#8211; Part 2</title>
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	<link>http://writeabetternovel.net/go-ahead-break-my-rules-part-2/</link>
	<description>Practical wisdom for novelists and other storytellers</description>
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		<title>By: Bill Henderson</title>
		<link>http://writeabetternovel.net/go-ahead-break-my-rules-part-2/comment-page-1/#comment-1312</link>
		<dc:creator>Bill Henderson</dc:creator>
		<pubDate>Thu, 18 Jun 2009 16:31:32 +0000</pubDate>
		<guid isPermaLink="false">http://truevoice-blog.com/?p=1957#comment-1312</guid>
		<description>I&#039;ve intentionally not blogged much about POV because it&#039;s a heady subject, maybe a bit too complex for blog posts, which are best kept short and pithy. I&#039;d rather lay the whole topic out in an ebook or ecourse (stay tuned!)  But for what you describe, you can reposition those descriptions of facial features in your POV character&#039;s consciousness. Instead of: &quot;Her eyes were a vivid but tranquil ice-blue,&quot; you write something like: &quot;He couldn&#039;t help noticing her eyes--their vivid, ice-blue stillness.&quot; Thoughts can be projected  by the POV character: &quot;I knew what he was thinking: I was too young to be part of their gang.&quot; Or assumed: &quot;His eyes cut to the door--I leaped to close it,&quot; or: &quot;She started to argue, then stopped in mid-sentence, obviously giving up any hope of convincing him.&quot;</description>
		<content:encoded><![CDATA[<p>I&#8217;ve intentionally not blogged much about POV because it&#8217;s a heady subject, maybe a bit too complex for blog posts, which are best kept short and pithy. I&#8217;d rather lay the whole topic out in an ebook or ecourse (stay tuned!)  But for what you describe, you can reposition those descriptions of facial features in your POV character&#8217;s consciousness. Instead of: &#8220;Her eyes were a vivid but tranquil ice-blue,&#8221; you write something like: &#8220;He couldn&#8217;t help noticing her eyes&#8211;their vivid, ice-blue stillness.&#8221; Thoughts can be projected  by the POV character: &#8220;I knew what he was thinking: I was too young to be part of their gang.&#8221; Or assumed: &#8220;His eyes cut to the door&#8211;I leaped to close it,&#8221; or: &#8220;She started to argue, then stopped in mid-sentence, obviously giving up any hope of convincing him.&#8221;</p>
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		<title>By: Norma</title>
		<link>http://writeabetternovel.net/go-ahead-break-my-rules-part-2/comment-page-1/#comment-1309</link>
		<dc:creator>Norma</dc:creator>
		<pubDate>Wed, 17 Jun 2009 17:53:05 +0000</pubDate>
		<guid isPermaLink="false">http://truevoice-blog.com/?p=1957#comment-1309</guid>
		<description>I am almost finished writing my very first novel and I am totally relieved after reading both Part I and Part II of your posts! I think I might have done a great job at having my character make choices that are believeable, but I&#039;m still kind of stuck on the POV issue. It&#039;s mostly from the main character&#039;s point, but there are a couple of times where I let on to a thought or facial expression of another character that she was unaware of. I might have to go back and re-explore those times to see if they fit well. Thanks for all of your good advice!~</description>
		<content:encoded><![CDATA[<p>I am almost finished writing my very first novel and I am totally relieved after reading both Part I and Part II of your posts! I think I might have done a great job at having my character make choices that are believeable, but I&#8217;m still kind of stuck on the POV issue. It&#8217;s mostly from the main character&#8217;s point, but there are a couple of times where I let on to a thought or facial expression of another character that she was unaware of. I might have to go back and re-explore those times to see if they fit well. Thanks for all of your good advice!~</p>
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